Adam Golaski is the author of Color Plates (Rose Metal Press, fall 2010), a "museum" that houses connected little stories drawn from the paintings of éduoard Manet, Edgar Degas, Henri de Toulouse-Lautrec, and Mary Cassatt, and Worse Than Myself (Raw Dog Screaming Press, 2008), a collection of strange stories. "Green," his translation of Sir Gawain & the Green Knight, is appearing several strophes at a time in Open Letters (www.openlettersmonthly.com); a large selection appears in Drunken Boat. Adam is co-publisher/editor of the experimental poetry press Flim Forum; their most recent title is Jennifer Karmin's text-sound epic Aaaaaaaaaaalice. He edits New Genre (www.new-genre.com), a journal of horror and science fiction — stories from issues #4, 5, & 6 were reprinted in several of the annual best-ofs, and "Splitfoot," from #5, was also nominated for an IHG award. His poetry, fiction, and nonfiction have appeared in word for/word, McSweeney's, Sleepingfish, Moonlit, Little Red Leaves, American Letters & Commentary, Conjunctions, All Hallows, Torpedo, and The Lifted Brow. "The Animal Aspect of Her Walk" — from Worse Than Myself — will be reprinted in John Skipp's new shapeshifters anthology. New fiction appears or will appear in the anthologies Cinnabar's Gnosis (Ex Occidente, 2009) and The Master in Café Morphine (Ex Occidente, 2010). A hybrid essay/fiction called "Threshold in the First Half of the Tenth Chapter of Lucius Shepard's Viator" will appear in an upcoming issue of Supernatural Tales, and his essay on poet Paul Hannigan — the only essay on the subject — appears in Open Letters Monthly: An Anthology 2007 – 2010.